Harriet (Valancourt 20th Century Classics), by Elizabeth Jenkins
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Harriet (Valancourt 20th Century Classics), by Elizabeth Jenkins
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Harriet Ogilvy is a young woman with a small fortune and a mental disability, making her the ideal target for the handsome and scheming Lewis Oman. After winning Harriet's love, Lewis, with the help of his brother and mistress, sets in motion a plan of unspeakable cruelty and evil to get his hands on her money. With consummate artistry, Elizabeth Jenkins transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity. Based on the real-life 1877 case of Harriet Staunton, Harriet (1934) was a bestseller and a major critical success, beating Evelyn Waugh's A Handful of Dust to win the Prix Femina. This edition features a new afterword by Dr. Catherine Pope. "Like a cold hand clutching at the heart." - Observer "It is superb. Every word grips." - Manchester Evening News "So exciting that I could hardly read it." - James Agate, Daily Express "Everything she writes spells for me an enchantment that makes sober criticism next to impossible." Gerald Bullett, Time and Tide
Harriet (Valancourt 20th Century Classics), by Elizabeth Jenkins- Amazon Sales Rank: #919923 in Books
- Published on: 2015-03-31
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .45" w x 5.00" l, .48 pounds
- Binding: Paperback
- 198 pages
About the Author Cathy Pope has been Senior Research Fellow in the School of Nursing and Midwifery, University of Southampton since August 2003. Prior to this she worked as Lecturer in Medical Sociology in the University of Bristol medical school (1999-2003) and University of Leicester medical school (1994-1999). She co-edited, with Nicholas Mays, a popular introductory text, Qualitative Research in Health Care (2nd edition 1999, BMJ Books).
Nicholas Mays has been Professor of Health Policy in the Health Services Research Unit at the London School of Hygiene and Tropical Medicine since May 2003. Before joining the School he worked in the Social Policy Branch of the NZ Treasury, at the King's Fund where he was director of health services research, at the Queen's University of Belfast, at the United Medical and Dental Schools of Guy's and St Thomas' Hospitals and in the NHS.
Jennie Popay is Professor of Sociology and Public Health, Institute for Health Research, University of Lancaster. Her research interests include social and gender inequalities in health, the sociology of knowledge (with particular emphasis on lay knowledge about health and illness) and the evaluation of complex social interventions and she has published widely on these subjects. She is currently a commissioner and vice chair of Commission for Patient and Public Involvement in Health.
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Most helpful customer reviews
7 of 7 people found the following review helpful. darkness, realism, tragedy By Mark Molnar it is a sad thing that Jenkins' 1934 novel is not better known! perhaps the darkness, realism, and tragedy that form the basis of this novel's insights on humanity's often predatory nature has precluded it from being embraced.the premise is simple enough. take a "natural" from any given Austen novel - those simple-minded, childish, often greedy, but also often innately sweet women who the central heroines usually have to protect or at least work around - and set her in a starkly realistic setting approximately 50 years later, filled with characters who truly will do what they feel they have to do to obtain money and comfort. although the language is similar - charmingly nuanced and understated dialogue; descriptive passages that are wry and subtle; characters who are pleasingly well-spoken and well-mannered - the result is very far from a comedy of manners. Harriet's narrative is instead a grueling series of escalating predations and degradations, politely told... because most people with no sense but some money do not have a Jane Austen heroine around to guide and protect them.the discomfort this novel creates comes not just from the horrors that are visited upon the heroine but also from the inclusion of classic characters and situations that are instantly recognizable from the range of light comedies of manner that have been read and re-read over time. greed is a killer and predators will do anything to rationalize their predatory behavior (even to themselves) - particularly in a milieu where polite conversation and manners are as important as currency.a dark and forgotten classic, one that is pitiless and passionless in its depictions of human cruelty. the novel is both subtle and furious in its underlying assessment of the avariciousness that can drive that cruelty.
0 of 0 people found the following review helpful. Dark Fiction Based on a Renowned Case in Victorian England. By Annie Harriet was written two decades before The Hare and the Tortoise and there is a subtle difference in the presentation of this story compared to the brilliance of the former.Nevertheless, Harriet will have you spellbound and even aghast at the complicity and evil the four protagonists perpetrate on the simple minded Harriet. Harriet has money and Lewis marries her to gain access to her money with dreams of luxury and a better standing in society.His brother,Patrick, sister-in-law Elizabeth and lover, Alice have no compunction in aiding and abetting his evil plan, all having a vested interest one way or another.The story is quite dark, and all the more so, because it is based on a true story which took place during the reign of Victoria.Not to give away the ending, the final outcome will create a conversation among book club members about whether or not these people were deserving of the end result or not, as fiction can skew the facts according to the interpretation of the writer.I certainly recommend anything written by Elizabeth Jenkins because she is a superb writer but if you seek out more uplifting books perhaps this is not the book for you.
1 of 1 people found the following review helpful. ' "After all", thought Elizabeth, "it isn't as if she felt anything-" By sally tarbox 'At half-past five on a January evening of the year 1875, Mrs Ogilvy's drawing room was a pleasant place.'Yet from such a cosy outset - Mrs Ogilvy living a luxurious life with her retarded 32-year-old daughter Harriet - who could guess the horror just around the corner? While staying with relatives, Harriet is noticed by the charming and unscrupulous Lewis Osman. At once turning aside from his true love, the sulky but beautiful Alice who yearns for nice things, he starts courting Harriet. But his marriage proposal is not for romantic reasons:'He did not shudder now, as he had done on the evening of their first meeting, at the idea of marrying her, but he was in no hurry to do it.'Yet Harriet's wealth propels him on, much to the anger and frustration of her loving mother, who comes to realise her impotence in the face of this 'pert, undersized, vulgarly good-looking person of the lower middle-class, he impressed even her stalwart bosom with a sense of foreboding.'How the story works out makes for a shocking and unputdownable read. Based on a real-life case.
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