A Book about the Film Monty Python and the Holy Grail: All the References from African Swallows to Zoot, by Darl Larsen
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A Book about the Film Monty Python and the Holy Grail: All the References from African Swallows to Zoot, by Darl Larsen
Free Ebook PDF A Book about the Film Monty Python and the Holy Grail: All the References from African Swallows to Zoot, by Darl Larsen
Monty Python’s Flying Circus aired from 1969 until 1974, but the conclusion of the series did not mark the end of the troupe’s creative output. Even before the final original episodes were recorded and broadcast, the six members began work on their first feature-length enterprise of new material. Rather than string together a series of silly skits, they conceived a full-length story line with references to the real and imagined worlds of the mythical King Arthur, the lives of medieval peasants, and the gloomy climate of 1970s Britain. Released in 1975, Monty Python and the Holy Grail was a modest success but has since been hailed as a modern classic.In A Book about the Film Monty Python and the Holy Grail:All the References from African Swallows to Zoot, Darl Larsen identifies and examines the cultural, historical, and topical allusions in the movie. In this entertaining resource, virtually every reference that appears in a scene—whether stated by a character, depicted in the mise-en-scène, or mentioned in the print companion—is identified and explained. Beyond the Arthurian legend, entries cover literary metaphors, symbols, names, peoples, and places—as well as the myriad social, cultural, and historical elements that populate the film. This book employs the film as a window to both reveal and examine “Arthurian” life and literature, the historical Middle Ages, and a Great Britain of labor unrest, power shortages, and the common man. Introducing the reader to dozens of medievalist histories and authors and connecting the film concretely to the “modern” British Empire, A Book about the Film Monty Python and the Holy Grail will appeal to fans of the troupe as well as medieval scholars and academics who can laugh at themselves and their work.
A Book about the Film Monty Python and the Holy Grail: All the References from African Swallows to Zoot, by Darl Larsen- Amazon Sales Rank: #865955 in Books
- Published on: 2015-03-06
- Original language: English
- Number of items: 1
- Dimensions: 10.23" h x 1.69" w x 7.29" l, .0 pounds
- Binding: Hardcover
- 632 pages
Review If you're a fan of the British comedy troupe Monty Python, and especially if you love their 1975 film Monty Python and the Holy Grail, then you absolutely must get your hands on A Book about the Film Monty Python and the Holy Grail, by Darl Larsen. 'Scholarly' is the best word to describe the book; it's a virtually line-by-line annotation of the film. . . . The book is both a glorious celebration of Python's best movie and a thoughtful, frequently surprising look at all its various connotations and inspirations. (The Chonicle Herald)Monty Python scholars—yes, there are such animals—will love this close reading of the British comedy troupe’s 1975 film Monty Python and the Holy Grail. Larsen, author of two previous books about Python, provides a highly detailed analysis of the film’s inspirations and historical accuracy, as well as its reflections of contemporary British life. The character of Dennis, the peasant who engages King Arthur in a lively (if mostly one-sided) debate about dictatorships and anarcho-syndicalist communes, is an amalgam of British politician Tony Benn and union leader Arthur Scargill. The Rude Frenchman’s pronunciation of the word 'knights' ('k . . . niggits') is actually very close to the actual Old English pronunciation. A throwaway line about a 'large wooden badger' is a reference to the ludicrous Badgers Act of 1973. The famed 'Holy Hand Grenade of Antioch' is a reference to the early-1970s religious violence in Ireland and other places. There’s a three-and-a-half-page analysis of King Arthur’s four-word line 'King of all Britons,' and a lengthy discourse on the structure of the film’s title (which is a mere six words long, two of them being 'and the'). Larsen also traces many of the film’s most playful elements, its word games and non sequiturs, back to The Goon Show, a wildly popular radio comedy program in the 1960s, which was one of Python’s key comedic influences. Truly, this is a magnificent book, adding multiple layers to a Python fan’s enjoyment of a classic film. (Booklist, Starred Review)A Book About the Film: Monty Python and the Holy Grail [is] groundbreaking[!] [This] coconut-clacking British comedy troupe's 1975 feature is examined from every angle in this 578 page tome, a scene-by-scene deconstruction full of diligent notations and thoughtful analysis. When Larsen starts citing the giants that pop up in Sir Thomas Malory's Le Morte d'Arthur at the beginning of his chapter on The Knights Who Say Ni, well, you may want to say "Ni" right back at him. (Philly.com)The groundbreaking, coconut-clacking British comedy troupe's 1975 feature is examined from every angle in this 578 page tome, a scene-by-scene deconstruction full of diligent notations and thoughtful analysis. When Larsen starts citing the giants the pop up in Sir Thomas Malory's Le Mort d'Arthur at the beginning of his chapter on The Knights Who Say Ni, well, you may want to say 'Ni' right back at him. (The Philadelphia Inquirer)If you're a fan of the British comedy troupe Monty Python, and especially if you love their 1975 film Monty Python and the Holy Grail, then you absolutely must get your hands on A Book about the FIlm Monty Python and the Holy Grail, by Darl Larsen. 'Scholarly' is the best word to describe the book; it's a virtually line-by-line annotation of the film. . . . The book is both a glorious celebration of Python's best movie and a thoughtful frequently surprising look at all its various connotations and inspirations. (The Chronicle Herald)If you're a Monty Python fan of any generation, you've most likely watched Monty Python and the Holy Grail about a dozen times or so. But as anyone obsessed with the film will tell you, you just can't always catch all the jokes. It has nothing to do with the intelligence or history or even that it's British–the film simply has too much material in it for everyone to get each reference. Well, now you can! This book has everything, all the way down to the most meaningless phrases, explained in detail as to why they're there in the first place and why you should find it funny. Examples would be: why King Arthur and his knights avert their eyes from 'The Lord,' why the monks bash their heads with wooden slabs, why is it called the Castle Anthrax, why Lancelot hacks and slashes his way through the wedding, and all that useless information about swallows. Plus, the book goes scene by scene, in order, so you can follow along for however many hours it takes you to read and watch it. (SLUG Magazine)[A Book about the Film Monty Python and the Holy Grail] is absurdly packed with lowbrow humor and farce. It’s also eminently quotable. . . . Some little part of me is thrilled that high school and college students in a couple hundred years will have to watch Monty Python and the Holy Grail and reference your annotated guide. (Top of Mind with Julie Rose)In many ways, a book about Holy Grail is a natural scholarly segue. With this latest work, Larsen sets up the film as a text worthy of study due to the multiple worlds that it primarily converses with: the Middle Ages, Arthurian literature, and contemporary British culture at the time of the film’s production. He has created a Python wiki full of referents that traverse these worlds with careful and methodical extrapolations that are deeply anchored in academic scholarship on the medieval literature, Arthur, Arthuriana, film studies, and more. Few components of the film are left unexamined whether it is a line of dialogue, titles, end credits, scenic locations, props, or camera directions. Larsen unpacks these artifacts with such a refined critical edge that the reader is left impressed even by the occasional minutiae that such an effort produces in the book. . . .[T]he annotations and connectives in the book question whether Holy Grail is a medieval film or a film made medievally? Larsen has produced a tremendous resource that vigorously pinpoints the reflective nature of the movie. It converses with other Python productions, but more importantly, it provides a rich lens to examine historical, cultural, and political intersections and divergences. . . .[F]aculty of courses in literature or film studies could easily utilize the resources contained in the book. Because the annotations often link to political situations and figures of the 1970s, instructors in history or political science might also find the book an insightful supplementary tool. As an academic tool, the book could easily appeal to instructors and students across multiple disciplines. (The Popular Culture Studies Journal)This book is an in-depth analysis of the 1975 film Monty Python and the Holy Grail, which has become a cult film in the USA, and has more recently been revived as the musical Spamalot. . . .This book will be a great help to those who want to understand appreciate this quite remarkable film. The Monty Python team went on to make two more films. Beyond this, individual members went on to make other films; some comic history, some political and social comment and some more mainstream drama. The start of all this is here. . . .There is a good index and a very full bibliography. An appendix explains the drawings in the 'book'. (Reference Reviews)This exhaustive reference identifies and explains the plethora of cultural, historical, and topical allusions in the film Monty Python and the Holy Grail, the first original film by the British comedy troupe. In this resource, virtually every allusion and reference that appears in the film—not just Arthurian life and literature from the Middle Ages, but 1970s Great Britain, and other contemporary cultural touchstones—is identified and explained. Organized chronologically by scene, the entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the myriad social, cultural, and historical elements (photos, songs, slogans, caricatures) that populate and inform this film.
About the Author Darl Larsen is professor in both the Media Arts department and the Center for Animation at Brigham Young University, where he teaches film, animation, screenwriting and popular culture studies. He is the author of Monty Python, Shakespeare and English Renaissance Drama (2003) and Monty Python's Flying Circus: An Utterly Complete, Thoroughly Unillustrated, Absolutely Unauthorized Guide to Possibly All the References (2013).
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Most helpful customer reviews
6 of 7 people found the following review helpful. A brilliant book for a brilliant movie By ArtMuseLit I beg to differ with Janet Perry's review. If all you want is a "fun time" from the film, don't buy the book. But if you're looking to uncover the rich allusions, surprising subtleties and intellectual treasures of the group's first film, there is no book like this one.Larsen is arguably the world's expert on Monty Python; his affection for the group and admiration of their work is clear throughout. This book's beyond exhaustive--it will make you look smarter at parties.Don't miss it.
4 of 5 people found the following review helpful. on beyond trivia By David Bratman There is a land somewhere on beyond trivia. No, further off ... No, further than that. There you will find this book. SIX HUNDRED large pages of small print, all about this one movie. Less focused on writing and production details, though there's plenty of that, than on historical sources and contemporary analogues. If this weren't my favorite movie in all the world, I wouldn't touch this book. As it is, I could hardly live without it.
1 of 8 people found the following review helpful. Run away! Run away! By Janet Perry There is a saying about comedy "If you have to explain a joke -- you don't get it." Maybe Larsen gets this classic comedy and maybe not, but you would never know it from this exhaustive and excruciating book.Weighing in at over 500 pages, this book should be better than it is. But Larsen can't ever overcome his need to tell you everything about each little thing in the movie and then some.Take his description and analysis of the armor when we first see King Arthur -- it's more than 10 pages long -- for armour! Or what about his many endnotes to each chapter. These are not merely citations, but additional information, given to us in tiny print. The credits, not even the movie, have nearly 100 notes!While I'm more than happy geekily to note every obscure reference, it bothers me that Larsen has taken such an overly detailed and overly academic approach. It shows that he doesn't understand art, artists, or the artistic process, Artists see things that are interesting and take note. At some time in the future, they might use it in some way in a later work. But this doesn't necessarily mean something deep, it might just be something cool, or appropriate,Monty Python fans (and I'm one) might be tempted to get this book. You might even think that it might serve as a useful reference book. It's not what you want "Run away! Run away!". Step away from this book and go watch the movie again and laugh. That's what's important.
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