The Bride Wore Black, by Cornell Woolrich
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The Bride Wore Black, by Cornell Woolrich
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“Along with Raymond Chandler, Cornell Woolrich practically invented the genre of noir.” —Newsday "Woolrich can distill more terror, more excitement, more downright nail-biting suspense out of even the most commonplace happenings than nearly all his competitors." - Ellery Queen "An opus out of the ordinary, highly emotional and suspenseful, with a surprise finish that turns somersaults." - The Saturday Review of Literature on The Bride Wore Black. This novel is not to be missed by crime fiction, suspense thriller and Woolrich fans. It was the first suspense novel that Woolrich wrote following his career as a pulp fiction author. Upon publication, the Kansas City Star said it was "a delicacy for epicures" while the Hartford Courant stated it was "the most exciting experience in crime fiction this reviewer has had in some considerable time." Cleveland's Plain Dealer called it "fresh and tremendously effective." The Baltimore Sun was even more effusive with "If it doesn't freeze your blood, then you are immune to literary chills." The story is about a woman who is obsessed with a deadly personal mission. She selects her victims with care. She dispatches them with cunningness and then she vanishes as quickly as she surfaces - out of nowhere. No one knows her identity or why she appears to undertake such ghastly deeds. We only know she has terrifying beauty and each time she appears a man dies horribly! In the spring of 1967 French filmmaker Francois Truffaut set out to create a small-scale, modestly budgeted film titled "La Mariée etait en noir", which was conceived as a noir B-movie, and based on this 1940 detective novel, "The Bride Wore Black", which had been published under Woolrich's pen name, William Irish. To date, almost all Woolrich stories are published in France under William Irish. Besides serving as an idealized project for the actress Truffaut had in mind, "The Bride Wore Black" (released in 1968) was also partly a homage to Hitchcock, which provides another clear reason why he choose a Cornell Woolrich novel to adapt to the screen. Hitchcock, of course, had based his 1954 thriller "Rear Window" on Woolrich's short story "It Had to Be Murder." Truffaut was a great admirer of the crime novels of Woolrich and he once stated in an article, "I see Irish...as the artist of fear, terror and sleepless nights...The plot usually centers around an ordinary man or woman with whom the reader can easily identify. But Irish's heroes never do things by halves and no unforeseen event can stop their march toward love and death. His world frequently also includes amnesia and mental problems, and his hyper-vulnerable, hyper-sensitive fictional characters are at the opposite extreme from the usual American hero. Just as there is a touch of [Raymond] Queneau in David Goodis, there is a touch of [Jean] Cocteau in Irish and it is this combination of American violence and poetic French prose that I find moving." This story is one of the six novels in Woolrich's Black Series which also includes "Rendezvous in Black", "The Black Path of Fear", "The Black Angel", "Black Curtain" and "Black Alibi". Cornell George Hopley-Woolrich (4 December 1903 – 25 September 1968) is one of America's best crime and noir writers who sometimes wrote under the pseudonyms William Irish and George Hopley. He's often compared to other celebrated crime writers of his day, Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler. He attended New York's Columbia University but left school in 1926 without graduating when his first novel, "Cover Charge", was published. "Cover Charge" was one of six of his novels that he credits as inspired by the work of F. Scott Fitzgerald. Woolrich soon turned to pulp and detective fiction, often published under his pseudonyms. His best known story today is his 1942 "It Had to Be Murder" for the simple reason that it was adapted into the 1954 Alfred Hitchcock movie "Rear Window".
The Bride Wore Black, by Cornell Woolrich - Amazon Sales Rank: #168555 in eBooks
- Published on: 2015-03-28
- Released on: 2015-03-28
- Format: Kindle eBook
The Bride Wore Black, by Cornell Woolrich About the Author From the 1930s until his death in 1968, Cornell Woolrichriveted the reading public with his mystery, suspense, and horror stories. Classic films like Hitchcock'sRear Windowand Trauffaut'sThe Bride Wore Blackand novels likeNight has a Thousand EyesandThe Black Angelearned Woolrich epithets like "the twentieth century's Edgar Allen Poe" and "the father of noir."Matt Mahurin has spent over twenty years as a film director, illustrator, and photographer. In 1996, he wrote and directed the award-winning feature film. Mugshot. In addition, his illustrations have appeared in Time, Newsweek, Rolling Stone, Esquire, The London Observer, and The New York Times. His photographic essays have focused on the homeless, people with AIDS, the Texas prison system, Abortion clinics. Nicaragua, Haiti, Belfast and he has photographs in the permanent collection of the Metropolitan Museum of Art in New York City. Finally, Mahurin has directed music videos for Peter Gabriel, U2, REM, Tracy Chapman, Sting, and many more.
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30 of 30 people found the following review helpful. A Tale Of Revenge By Untouchable If anyone ever wanted to cite a story that would best illustrate the observation that revenge is a dish best served cold, then I think this one would fill the bill. As a story of revenge, it's a classic with the big mystery being, what on earth could have happened to prompt such violence.The person who is seeking revenge is Julie Killeen. She is a beautiful woman, but she's also a careful, cold-blooded killer. She is on an unstoppable mission of painstakingly tracking down, stalking and then murdering men before casually walking away, unconcerned about whether or not she leaves any witnesses. She gives little away as she carries out the murders, although she does feed us with snippets of information which merely serves to add to the mystery surrounding her actions and drives us on to find out more. None of her victims seem to recognise her, nor do they seem to have anything in common with one another, which also adds greater interest to the event that started her off.Attempting to track Julie down is Lew Wanger, the detective who, while not exactly hot on her trail, is the only one who believes the murders are related. It's through him that the pieces are put together forming a coherent chain of events helping us understand what went on in the past to cause the events of the present.This is a captivating story told in the typically brutal fashion of the hardboiled genre. The unexpected ending caps off this highly entertaining book very nicely indeed and I found myself well and truly put in my place, just as I was congratulating myself for having figured everything out.
13 of 14 people found the following review helpful. Femme Fatale By Quetzal She was a mystery dame if ever there was one. Julie Butler was what she called herself, or sometimes Josephine Bailey, or Mrs. Baker. But to the men she met her real name spelt D-e-a-t-h. The author introduces the heroine of this quintessential noir novel, looking out of her hotel window one night: "She seemed to lean toward the city visible outside, like something imminent, about to happen to it." Although Woolrich was one of the founders of the noir genre, his name is not so famous as that of Chandler or Hammett. This is to be the first reprint in a laudable series, repositioning Woolrich as "America's Master of Suspense", with "Phantom Lady" coming out in august. The cover is magnificent, even better than it looks on this page. The only thing the editors have forgotten is to put in the original year of publication, but then again, this femme fatale in black ("Where have I seen her before", one of the characters wonders, "those ice-cold eyes, that kissable mouth?") is of course timeless.
10 of 13 people found the following review helpful. A Classic Novel of Suspense, Obsession, and Murder By Michael Wischmeyer Raymond Chandler (The Big Sleep), James M. Cain (The Postman Always Rings Twice), and Cornell Woolrich were among the creators of the noir genre of crime fiction in the 1930s and 1940s. This uniquely American literary genre had its roots in the terse, violent, and often poorly written pulp fiction. More talented, innovative writers evolved a dark, modern mythology that exploited themes of crime, guilt, deception, obsession, and murder.I am familiar with other classics of noir genre, but The Bride Wore Black was my first introduction to Woolrich. The innocuous beginning, a young woman leaving home with no particular destination in mind, transitioned rapidly into an audacious, calculated, carefully planned murder without any apparent motive. Woolrich shifts the perspective back and forth from character to character, adeptly disguising the inner thoughts of the killer. Unlike the police who are uncertain whether the deaths are accidental or deliberate, we readers know it is murder, but not how the victims are chosen. I was unprepared for the ending.The Bride Wore Black has been often republished and you should not have difficulty finding a copy.Many novels and short stories by Cornell Woolrich have been adapted to the screen (the most notable was Rear Window), radio, and TV. I Married a Dead Man, Phantom Lady, and his `Black' series of suspense novels were among his best works.
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