Walking Wounded: Uncut Stories from Iraq, by Olivier Morel
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Walking Wounded: Uncut Stories from Iraq, by Olivier Morel
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A gripping graphic novel illustrates the challenges of Iraq War veterans as well as their inspiring triumphs After the shock of 9/11, for hundreds of thousands of young Americans there was Ar Ramadi, Baghdad, Abu Ghraib—the war in Iraq. Then came the trauma. From the torment of these vets to their reflections, Morel and artist Maël demonstrate the seemingly impossible return of those who aspire to get back to a normal life. The effort is huge; some can’t make it and others score their own victory by finally turning the corner. Walking Wounded is a parable for our country’s war sickness.
Walking Wounded: Uncut Stories from Iraq, by Olivier Morel- Amazon Sales Rank: #1386951 in Books
- Published on: 2015-10-01
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x .60" w x 7.70" l, .0 pounds
- Binding: Hardcover
- 120 pages
Review "As the Iraq War recedes, works such as this serve as a much-needed prod to a society that’s all too eager to put its misbegotten Middle East misadventure behind it." —Gordon Flagg, Booklist
About the Author Olivier Morel is a French author and documentary director who teaches film and romance languages at the University of Notre Dame. His documentary On the Bridge is the basis for this graphic novel. Maël is the pseudonym for comic artist Martin Leclerc. He is the creator of the fanzine Youkaïda and is the lead singer of the folk rock group HitchcockGoHome!
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1 of 1 people found the following review helpful. Must Read Graphic Journalism By Craig L. Seasholes Powerful new graphic novel format on the challenges faced by soldiers in today's military and those who seek to support them on their return to civilian life. Wow, wow, wow.This fuller review by a librarian colleague is more articulate:There is a human cost to war and we forget that at our peril. Beginning in 2007 Morel began a project to film a documentary – On the Bridge (2010) -- about the lives of vets returning from the Iraq War. In this graphic approach to documenting his work, Morel reveals his thoughts and feelings about the project and how it changed him. It is the stories of seven veterans, men and women, who served in the war in Iraq and were traumatized by events in the war, in Ar Ramadi, Baghdad, and Abu Ghraib. Mael and Morel use a graphic novel format with a limited palette of grey for the scenes about filming and splotchy Sienna red that looks like various colors of drying blood for flashbacks and visions. While not explicitly gory, the visuals convey creeping dread and a filter of terror clouding reality. The greatest strength of this story is best expressed by the author in his Library Journal interview, “I am presenting a graphic novel that deals with issues that rarely make the headline news, when at the same time, there are millions of individuals, families, and communities affected. This is social realism: [the book] generates, I hope, both an informative and a transformative reading experience
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