A Death in the Family (The Euphemia Martins Mysteries) (Volume 1), by Caroline Dunford
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A Death in the Family (The Euphemia Martins Mysteries) (Volume 1), by Caroline Dunford
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The first book in the Euphemia Martins murder mystery series by Caroline Dunford. He had the aspect of a man, who had welcomed death, albeit he had found it among the gravy, and this helped me bear the awful, wrenching pain I felt at his loss. ‘Oh, Euphemia, if only your father…’ ‘There was really nothing he could do about it,’ I countered fairly. In December 1909 the Very Rev Joshia Martins expires in a dish of mutton and onions leaving his family on the brink of destitution. Abandoned by her noble grandfather, Joshia’s daughter, the eighteen year old Euphemia, takes it on herself to provide for her mother and little brother by entering service. She’s young, fit, intelligent, a little naive and assumes the life of a maid won’t be too demanding. However, on her first day at the unhappy home of Lord Stapleford she discovers a murdered body. Euphemia’s innate sense of justice has her prying where no servant should look and uncovering some of the darker social, political and business secrets of Stapleford family. She is propositioned, locked in cupboards, made to chop mountains of onions, her reputation shredded, accused of murder and frequently put in fear for her life. All Euphemia has to defend herself is her quick wits, sense of humour and the ultimate weapon of all virtuous young women, her scream.
A Death in the Family (The Euphemia Martins Mysteries) (Volume 1), by Caroline Dunford- Amazon Sales Rank: #2390953 in Books
- Published on: 2015-03-14
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .44" w x 5.00" l, .43 pounds
- Binding: Paperback
- 174 pages
About the Author Caroline Dunford has previously worked as a psychotherapist, a journalist and a non-fiction author. She has a deep love of story, which she believes is at the heart of human nature. She first declared, at five years old, that she wanted to be a writer but was told there was little options of it being a full time job. Undeterred, she started writing short stories, plays and mini novels. She became known for writing plays at primary school including casting and directing the performances. She then grew up and went to university, studied sensible subjects and decided she didn't like the 'real world' one bit. She started out as a freelance journalist and writer, sending off short stories to every magazine she could find and received rejection after rejection until she learnt to better her writing. As a journalist, she was somewhat of a failure as she didn't like upsetting people and therefore never made it to tabloid press. She then studied a part time degree in psychology, which she enjoyed more than her past studied subjects. Caroline then spent years working with other people helping them shape their personal life stories (she is a Freudian at heart) until she decided to take the plunge and write her own stories full time. She believes that writing fiction is now the only way she can stay sane. Euphemia Martins was partly inspired by the family legend of her great, great grandmother, who ran away from a very rich family and ended up working in service. Unlike Euphemia, she found the life far too hard, but was rescued by a tobacconist, whom she married and with whom she had thirteen children. Murder casts a sharp light over those around it, revealing characters and morality in unique sharpness. What forces one to take the life of another and how those around react reveals so much about human nature and the fragility of society. Caroline finds the period before WW1, when everyone was setting their playing pieces on the board for global conflict fascinating. She is also intrigued by the start of female emancipation and the class-system breakdown that was taking hold. Caroline loves puzzles and finds human beings the most exciting puzzles of all. But above all, she believes life must be enjoyed with humour. We must all bring whatever light we can to the darkness.
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Most helpful customer reviews
16 of 16 people found the following review helpful. Light, humorous "period" mystery By Leapin' Literary Lurkers As an aficionado of Masterpiece Theater, I found the mood akin to many of the stories dealing with class and gender distinctions set in grand houses.In this particular case, the reader is in on the joke that Euphemia actually ranks above the household in terms of breeding and class standing. The humorous touches were good. Only a couple of typos ("riffling" is normally used for paper/pages; it should have been "rifling" through the possessions; "bulk" for "baulk," etc.).Euphemia presented an honest, even-handed viewpoint while aware of the peril to having her virtue impugned.Overall an enjoyable read that entertained me pleasantly while my spouse was enthralled by March Madness.
12 of 12 people found the following review helpful. A spoof of Downton Abbey? Not really. By oldcaman After finishing the book including the epilogue I had to revise my review.I considered it a spoof on Downton Abbey but, apparently, it was not meant to be one. The heroine is to be taken seriously and it just happens that some characters are quite similar to those in the first season of the TV series.The writing is different from 21st century detective stories and the author confesses she is not interested in police procedurals. While the heroine (the book is written in first person singular) feels that some of the cops are smart, they surely not behave as such.Some anachronisms: would a rural English cop consider the possibility of a Bolshevik revolutionary in 2010? Five years after the Russian revolution of 1905 and seven years before the revolution of 1917 that made Russia a 'communist' nation till 1993.Recommended to anyone with a sense of humor combined with interest in some amateur sleuthing. The sequel may be bit more believable but I am not going to take my chances with it.
16 of 19 people found the following review helpful. Major historical howler in an otherwise pleasant read By suzanne Flandreau The book is set in England in 1910 and actually begins with a few historical references to set the scene. However, someone should point out that in England in 1910 there was no such thing as a "Communist Party." There wasn't one until 1920. The main character, Euphemia, is accused of being a "Bolshevik" but the term "Bolshevik" didn't come into existence until 1917--in Russia. Followers of Marx before World War I usually called themselves Socialists. A basic internet search could have solved this problem. The problem compounded in the two later books. Rory the butler simply could not have been a member of the "Communist Party" before 1911 because it didn't exist as such. (Perhaps he could have joined one of the other labor movements?) The premise--that Euphemia is the unacknowledged granddaughter of an unnamed earl and therefore outranks her employers socially--is entertaining, and the characters are not total stereotypes, but please, Ms. Dunford, invest in a good history textbook.
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